The Clinical Approach to The Dead Mother Syndrome

Amy Tuso, With You

[…] The problem in the analysis of the dead mother complex is that another irresistible bargain is forged once we listen in on its secrets. A new covenant is inevitably whispered in the patient’s ear, and we find ourselves offering the analysis as the latest version of an old alliance, as a new dead mother. For who really dares to awaken the dead from their sleep? (p.116)

[…] Andre Green holds out Winnicott’s essay on “The use of an object and relating through identifications” as a model for clinical approaches to the dead mother. Winnicott (1968) leaves an intriguing footnote” “the next task of the worker in the field of transitional phenomena is to restate the problem in terms of disposal” (p.91). […] (p.117)

[…] To coax the subject beyond their funeral vault demands a psychoanalysis of “paradoxical absence”. That is to say the therapeutic task is to raise the possibility of constituting absence, in place of an adherence to undeadness. Yet this absence must re-present an opening out, up, into a potential presence. In Green’s language, the some-thing of absence must take the space of the no-thing that the dead mother “unpresents”(p.122-123)

Sekoff, J (1999) The undead: necromancy and the inner world. In G. Kohon (Ed.) The dead mother: the work of Andre Green (pp. 109-127), London: Routledge

On the Significance of Absence

Certain patients, or better psychical constellations, come to revolve around the proposition that “all I have got is what I have not got”. This negative presence becomes the gravity of a psyche founded upon loss. [...]. 

For Green, Bion and Winnicott the absent other marks the place, names the conditions which allow thought, being or vitality to move forward or inversely, becomes the graveyard of the subject, where attacks on linking(negative K) (Bion, 1959), unintegration (Winnicott, 1963) or madness (Green, 1986c) reign. 

Absence may seize hold of us, shadow us, propel us toward oblivion, yet absence is also constitutive, creative, a necessary condition for vital and alive psychic life. “Absence is an intermediary situation between presence (as far as intrusion) and loss (as far as annihilation)” (Green, 1986a, p.50), “In this context, absence does not mean loss, but potential presence”(Green, 1986b, p.293)

To constitute absence may be among our most vital tasks. For Bion,  thought, love and transformation exist only in relation to their negatives. The absent (to be without memory or desire) is a call to the potential emergence of the positive. Winnicott treasured the place not to be communicated, the solitude that allows self-emergence, and the destructiveness that embodies the other as separate and apart from ourselves. For his part, Green elevates the absence to a form of creative structure.

[…]The potential space created within this frame allows a subjectivity to emerge, with its vital affects and thoughts intact. By way of negative demonstration, he depicts the dead mother as never absent, overfilling an inadequate psychic space.[….] Nothing can truly enter this dense space, and nothing can truly emerge from it.[…] Only absence allows new thought and fresh experience.  (p.114)

[…] The analytic work must be balanced between a project of representing absence and offering a framing structure of its own, a psychic envelop (Anzieu, 1990) constituted through the homologues of the analytic object. Only living under, within, and between the skin (and skin-ego) of the analytic couple may an alternative to the grim offerings of the dead mother be sought. (p.115)

Sekoff, J (1999) The undead: necromancy and the inner world. In G. Kohon (Ed.) The dead mother: the work of Andre Green (pp. 109-127), London: Routledge

The Secret of the Dead Mother

Juan Bielsa, Ausencia

Within her tight embrace the entombed child finds solace, a shelter that offers the certainties of death over the vagaries of life. This is her magical bequest: relief from the anxieties of freedom through submission to a powerful other; sustenance of the omnipotence of holding the life of another in one’s hands; disguise of aggressive intent hidden behind a mask of suffering; and finally I am tempted to say, a terminal holding off in a perpetuity of a recognition of loss. 

For the deepest secret of the dead mother is that she never dies. No one ever has to die. Some secrets are too tempting to resist. A simple trade is sufficient: “give your life over to me now and we will always remain together”. (p.115-116)

[...]What is dead about the dead mother? After all, everything Green points to reminds us that this is a peculiarly lively corpse. Indeed, few of the living exercise such vital power (p.120)

[...] Dead doesn't fully capture the power of this object. We find an object that is more accurately described as "compressing" or "entrapping" rather than lifeless. A centrifuge object whose gravity won't let anything escape. In another vocabulary it is bad rather than absent , whether re-introjecting projections of envy and hatred (Klein), or as a repository of unmet need (Fairbrain). Above all, to borrow an idea of Anne Alvarez (1997), it is a useless object. That is the dead mother fails in its role of providing a refuge of sufficient strenght and flexibility to allow the subject to leave it behind. In sum we find less a dead object, than an object that is deadening (p.121)

[...] Death is not the enemy; the horror is to be suspended between life and death. This is the fate of the dead and deadening object relations of the dead mother complex: to be suspended between the living and the dead. John Steiner (1993) has written of a hald-dead state where both object and self are tormented, but not allowed to die. This state is a psychic retreat from the full measure of guilt and loss that separation from objects entails. In such a state, it is the agency of the subject (an agency brimming with desire, aggression, sex, murder, sufficiency, separatness) that remains suspended. Psychic retreat (or in Jean Wolff Bernstein's felicitous phrase, psychic exile) is an attempt to assuage the angry gods by playing dead (Wold-Besrtein, 1996) (p.122)

Sekoff, J (1999) The undead: necromancy and the inner world. In G. Kohon (Ed.) The dead mother: the work of Andre Green (pp. 109-127), London: Routledge